There is a crescendo in my tacenda
Where I am normally, to him,
common time and a capella
My cadenza clumsily proceeds without cadence
Without rhythm or beats
My need for espressivo
longs for a nocturne
requires harmony
but instead is a series of operettas
that fall flat in parody
We’ve played off key for so long
That this piece became, not my canon,
But the silence of my sixteenth note,
A dirge with a pianissimo possibile refrain
of Rococo design.