These Are My People: Shanna Harris

Sheba

Sheba the cat never smelled that good again.

She went unnoticed, unimportant, just another face to greet and forget. Politely enough she smiled, laughed a bit, joked a bit then faded quickly.

In the freezing cold of a February winter on the mountain’s edge overlooking the valley, the sun came out and shined from her face. She forced a double take from me.

The snow melted away as if July had suddenly sprung a leak before it was supposed to and stole the frigid air right from our lungs.

I stood there and looked at her and she at me. Our eyes blinked like newborns at the sudden bright light that ignited in between us like a bonfire.

As the snow drifted on the winds that tickled the pine needles down from the branches to land on the pristine white, we became believers in faith and one another.

We picked up our brooms, our mops and our feather dusters and buckled into mundane work while we wove our foundation with light and shadowed ghost stories.

Our hands took away the dirt that accumulated on surfaces long ignored, like she’d been, like I was. The intricate loom swish-clack-swished our lives together into a southwestern design.

The colors were rusted sand, Ponderosa pine, snow white, gravel gray, sunset pink, sunrise yellow, and broken sky blue. We wrapped within each stitch making it our fortress.

When the work of the night was completed, the cleaning utensils put back where they belonged, we remained. We stayed bonding our bindings with tomorrows that have yet finished their tasks.

These Are My People: Alicia Menninga

A Love Note

A Love Note

Goddess

Her hair flows like cool rivers around her shoulders

brushing softly at my cheeks

she leans in to touch my arm

whispering thoughts that caress my ears like a song

Her scent is musky rain with a hint of sandalwood

It cloaks my breath with its subtle incense

My heart shudders, bounces, tossed as if on a rolling sea

Her soul floats openly in her kaleidoscope eyes

Her tranquil gracefulness is haunted

with echos of vulnerability and pain

She glows like an oil lamp, flickering, heated,

fueled by a passion for life…and love

She pulls away and with a simple gesture of her hand

she proves herself to be exquisite, delicate, powerful

Her gentleness sweeps against my skin like a searing hot fire

Her giggled words, like cannons,

firing…exploding

encompassing me.

One kiss would damn me

One intimate touch would be my downfall

The consequences harsh and brutal

The risk too great

I hover, instead, around her light in hopes

that perhaps she might shine on me again.

Women’s Immortality

HeLa: The Immortal Henrietta Lacks (1920-1951)

HeLa: The Immortal Henrietta Lacks (1920-1951)

Where are the women who are unafraid to be the equal of men? To stand as their creators? To be burdened with their mortality? For we, as women, as mothers, are immortal. We have been granted a power that all humans must acknowledge, particularly the men who use oppression and tyranny to impose their version of self-righteous piety while pillaging villages, pockets, and people who birthed them.

We were blushed into passivity through vile and violent means. Our voices taken by violations against our bodies, against our spirits, against the essence of our glorious contribution. The Patriarchy discounts their birth by denying the truth of their own creation. They refuse to honor, as Maya Angelou sasses, that we dance like we have diamonds at the meeting of our thighs.

We are their creators. We are their equals. We are the Light of the Goddess; the vessels of her beauty in all of her forms with billions of names sprung free from the lips of our tribes, our people, our neighbors and families. We are immortal by the generous fruit we produce in our tree of life. We are the basis for their power, the support for their child-like steps.

They are not cruel and unforgiving of us because we are women, oh no. They know we are without end. They know we last longer than they. Their deaths will come before our own. Their genes become as muddied as their jeans, but the Matriarch will be the crown of their history. They want to hide her away as, according to the Mormon’s beliefs, God does his wife. So sacred is her name, or so I’ve been told, that even God will not speak her name to anyone else for fear they would desecrate that which he loves above all others. He holds her sacred, not as a less than in the equation.

My sisters, take heed the power of your name as the Matriarchs of ancient history have spoken. You are the power of the Universe embodied in physical form, freed of your heritage, embraced by your sister-kin, released from the shackles of Patriarchy if we choose to leave in unison.

We are not meek and mild. We are fierce and protective. We have allowed ourselves to become divided into separate distinctions instead of unified. We have been torn down to be seen only as ornaments, only as decorations, only as status symbols but not valued for our true selves. Our strength, our courage, our power, our voice, our very being is to be embraced, celebrated, lifted up in the arms of our sisters standing proudly by our sides.

We are the Alpha and the Omega of their mortality. We are the embodiment of The Goddess.

Six Years Old

This poem was inspired by Alison Nappi’s poem: An Open Love Letter to Your Inner Child

( http://www.writewithspirit.com/letters-of-love–madness/an-open-love-letter-to-your-inner-child )

Mare Martell, aged 6

Mare Martell, aged 6

Your story took my age away and I became six again.

It sucked the breath out of my lungs

Replacing it with looks of befuddlement

That I got from grown-ups when I tried to explain

how I saw things or

what I saw and when.

An adult would often correct me

Explaining how it appeared in their world,

but magic existed before I knew it

before it claimed the runes of mystical auras.

I want to write this love letter to my six year old self

but not like this,

similar but with different color crayons

and different paper,

maybe bark or finger paints.

As I look through the eyes of my youth

I see what I saw then clearly

That crack in the sidewalk didn’t exist

as much as it was the seaside beach

where fairies lived and robins played.

I was taught that my visions were faulty

So I quit trusting them, I quit believing I understood things

I doubted what my spirit knew as absolute

I thought I was wrong for thinking in shapes or

pictures that had words labeled on them, but did not define them.

I heard you.

I’m so glad you remembered me

Way back then when mud pies were important and dolls drove matchbox cars.

Phoenix (1995-Revised)

I don’t feel like a phoenix anymore
I feel overthrown and solitary
In my dreams and nightmares
I hear his cries, his pleas
I am as defenseless as he
I can’t save him from living death
Any more than I can save myself
In my meandering daydreams
I cuddle him closely to my skin
But the sun snows clouds of fog

and I become confused in the ashes.
And I can’t feel his hair
I can’t smell his skin
My body aches to hug him tightly
To tell him everything will be okay
I wander around in darkness without him
I don’t feel like a phoenix anymore

Palette poetry

Hen Fredrickson's paint palette inspired this ditty

Hen Fredrickson’s paint palette inspired this ditty

That’s the bed where he used to lay

when the sun set on his pillow

That’s the song that won’t go away

where music wept like a willow

That’s the dream that we used to share

as the moon danced through the window

That’s the night that never ended

the waning that made a widow.

That’s the blanket we used to warm

against the winter’s icy chill

That’s the torn quilt of fam’ly guilt

that left our beliefs unfulfilled

That’s the place where we used to be

where our dreams became fragile histories

That’s the place where I mourn him still

forfeited by death’s tragic mysteries

 

These Are My People: Sue Cline

Ribbons

Participation Ribbons

The ribbons that bound me to you
with generous abandon,
tied up in knots of
“I want you and need you”
have unraveled into muddied rainbows

puddled on the ground
I can no longer cherish them
because they serve no purpose
when my heart looked forward
instead of tick-tocking back
into the mess we created together
with scissors flashing
through the complicated maze
we’d woven together
then destroyed with guilty hearts &
shameless blame
of who was actually at fault
for our conjoined festivities.

 

Small Wishes

I wish a special someone
had a song in them for me.
Some music they just had to sing
with my heart the melody.

I wish a special someone
had a dream in them for me.
A waking place, built on grace
a feeling like reveille.

I wish a special someone
had some words for me
a declaration of their love
that would last for eternity

I wish a special someone
had a picture in them for me.
One that captured their emotion,
from the brush that set it free.

I could wish a million lifetimes
for something as rare as this
and still quite never find it
the love that is lost and missed.

These Are My People: Louise Palm

This is not a picture of my dear neighbor, but this was her occupation.

This is not a picture of my dear neighbor, but this was her occupation.

She sat across the room from me

on a faded floral armchair.

It covered in plastic,

wrinkling when she leaned

forward to encompass her cup

lovingly filled with tea.

Sipping silently the sugary mix

she turned her waxy face

towards the picture window

as if she could pull back

the curtains of time.

She smiled yellow at me

when she brought forth

her past in faded words

like old photographs

taken from the box hidden

under the stares of cobwebs.

Sometimes she’d tell me

stories of her youth and

her determination to teach

physical education which

mocked and giggled at her

now frail body wrinkling

in the faded floral armchair

covered in plastic

sitting across the room from me.

Sometimes she’d fart

as people sometimes do

She’d laugh and say,

“Pardon me, I’ve had a

passing of the wind.”

My eyes would water

my shoulders would shake

my snickers could not be contained.

Together we’d sit there

chortling over bodily functions

relinquishing control of time.

Jedi Garden

Your sugar-coated violence was used

to coax my sympathetic heart back

from where I felt safe

from where I felt protected

from where I felt alive

from where I could be myself

instead of a role that you glued on my back

a role that I allowed to be superimposed

a lampshade to dim my light which shined anyway

Did it ever occur to you

that once you punched me

that once you slapped me

that once you pushed me down

that once you pulled my gun on me

that maybe, just maybe,

you shot me alive

by demonstrating the very reason

I could no longer stay by you

because you’d have destroyed

the very me I’ve become,

a light to guide others through

the loss of their power.

Had you succeeded

the skies would have gone dark

My tears of mourning would have drowned me

I gratefully would have rejoiced in the absence of me.